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VELAZQUEZ, Diego Rodriguez de Silva y Prince mk237
1626-1627
Oil on canvas
210.5x126.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Yiso mk237
1636-1640
Oil on canvasv
179x94cm
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VELAZQUEZ, Diego Rodriguez de Silva y Meinibusi mk237
1639-1640
Oil on canvas
178.5x93.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y A Girl mk237
1635-1643
Oil on canvas
74x60cm
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VELAZQUEZ, Diego Rodriguez de Silva y A Girl mk237
1635-1643
Oil on canvas
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VELAZQUEZ, Diego Rodriguez de Silva y Portrait of man mk237
1635-1645
Oil on canvas
76x64.8cm
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VELAZQUEZ, Diego Rodriguez de Silva y Bacchus mk237
1628-1629
Oil on canvas
165x225cm
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VELAZQUEZ, Diego Rodriguez de Silva y Virgin Mary wearing the coronet mk237
1641-1642
Oil on canvas
176x124cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Virgin Mary wearing the coronet mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Girl mk237
1640
Oil on canvas
51.5x41cm
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VELAZQUEZ, Diego Rodriguez de Silva y
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VELAZQUEZ, Diego Rodriguez de Silva y The boy mk237
1636-1644
Oil on canvas
107.5x83.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Man mk237
1644
Oil on canvas
106.5x81.5cm
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VELAZQUEZ, Diego Rodriguez de Silva y Zhulodi mk237
1644
Oil on canvas
107x82cm
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VELAZQUEZ, Diego Rodriguez de Silva y Abaka mk237
1638-1646
Oil on canvas
64.5x53cm
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VELAZQUEZ, Diego Rodriguez de Silva y Smelt factory mk237
1630
Oil on canvas
222x290cm
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Smelt factory mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Detail of Smelt factory mk237
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VELAZQUEZ, Diego Rodriguez de Silva y Study of Head-portrait of Abolo mk237
1630
Oil on canvas
36.3x25.2cm
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VELAZQUEZ, Diego Rodriguez de Silva y The man-s bloodstain coat mk237
1630
Oil on canvas
223x250cm
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VELAZQUEZ, Diego Rodriguez de Silva y
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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